
Elwood (Dan Aykroyd) keeps a bottle of Old Spice on a shelf by the fridge.
Thanks to AW for the id.

Elwood (Dan Aykroyd) keeps a bottle of Old Spice on a shelf by the fridge.
Thanks to AW for the id.

I wonder if Monsieur Poirot (Peter Ustinov) noticed the massive Guerlain flacon montre sitting on a shelf in Linnet Ridgeway’s bathroom, while inspecting the heiress’ cabin on the Karnak steamer. Too bad the front sticker was scratched out: we will never know what cologne she used.
Using a flacon montre here is not 100% accurate: if we assume the novel is set before 1937 (year in which it was published), the choice is not accurate because this bottle was introduced on the same year. In any case, this is another example of “partial inconsistency:” this bottle was not available at the time in which the story was set, but it was at the time in which the film was shot.

There are three bottles of Oscar de la Renta Esprit de Parfum on Amber’s dressing table. This is likely to be a historically accurate choice: Oscar, the first Oscar de la Renta fragrance, was created by Jean-Louis Sieuzac and launched in 1977.


The Esprit de Parfum was launched in the 1980s, so it’s possible it was on the market in 1984, year in which the last scenes of the film are set.

In 2009 Roman Polanski directed the (fake) commercial for a (fake) perfume: Greed by Francesco Vezzoli. Michelle Williams and Natalie Portman are the stars of the short movie as two women literally fighting for Greed.
The centre of the art installation held at the Gagosian Gallery in Rome was the “perfume that doesn’t exist”, whose bottle has a peculiar story. Vezzoli took inspiration from Belle Haleine: Eau de Voilette, the fake perfume created by Marcel Duchamp in 1921 using a Rigaud perfume bottle. Duchamp appeared on the perfume bottle label as Rrose Sélavy, photographed by Man Ray and Vezzoli did the same, photographed by Francesco Scavullo.
The advertising campaign featured portraits of famous female artists made of inkjet, wool, cotton, metallic embroidery and custom jewelry on brocade. Among them, Eva Hesse, Lee Miller, Frida Kahlo, Niki de Saint Phalle, Tamara de Lempicka and Georgia O’Keeffe.



There are several Guerlain flacons aux abeilles dorées in Lea de Lonval’s bathroom.
Thanks to my friend Rocco for the id.

There are two Nina Ricci perfumes on a dressing table: L’Air du Temps and Fleur de Fleurs. The first, launched in 1948, was created by Francis Fabron; the second, launched in 1982, was created by Betty Busse.
Next to them, on the left, there’s a bottle of Guerlain Chamade, a 1969 creation by Jean-Paul Guerlain.

There’s a suprising object on Dorothea’s writing desk – a bottle of Yves Saint Laurent Opium, the Secret de Parfum version. This is not the original 1977 perfume, created by Jean Amic and Jean-Louis Sieuzac, but a later version, created by Jean-Louis Sieuzac and launched in 1992. From a strictly historical point of view, this is an inaccurate choice, because the film is set in the late 1970s.



Dorrie (Charlotte Rampling) appreciates Sandy’s aftershave. Like a madeleine, that scent brings back memories from her childhood. Sandy (Woody Allen) gets the reference to À la recherche du temps perdu by Marcel Proust and jokingly comments he’s wearing Proustian Rush by Chanel. The reason why the French maison has never produced a perfume with such an evocative name is beyond me.


A real Chanel perfume appears later in the film, when Sandy visits his sister (Anne De Salvo). Chanel no. 5 refillable atomisers (one small, one big) can be seen on a plastic tray on her dresser.


On Yves Saint Laurent’s desk there are a white box of Y perfume and a red nail polish.


There’s a box of Davidoff Cool Water in David’s hotel room. This aromatic/marine perfume was created by It was created by Pierre Bourdon and launched in 1988.
In front of it there’s a large jar of Tiger Balm red ointment.