There are two Avon bottles on the carpeted floor of the Lisbon sisters’ bedroom. Both of them are animal-shaped and in both cases it’s impossible to tell what fragrance they contain: as I have written many times, Avon used the same bottles for different fragrances.
One has the shape of a unicorn, whose spiraling horn serves as stopper.
The second bottle has the shape of a swan; in this case the stopper is a gold metal ball. This specific bottle contains Sweet Honesty cologne.
Thanks Peter (a reader of this blog) for the unicorn id.
For someone like Stephanie, who wakes up at 37 from a 20-year coma, wearing Calvin Klein CK One makes perfect sense. This fragrance, created by Alberto Morillas and Harry Fremont and launched in 1994, will be forever linked to the the 1990s, an olfactory symbol of the decade in which “clean”, cool and unisex scents took the market by storm.
This film has haunted the imagination of cinephiles since its release, thanks to its eerie atmosphere, suspended in the symbolical middle earth of adolescence and tainted by death.
Some of the scenes set in the bedroom of the Lisbon sisters have often piqued the interest of beauty lovers too, fascinated by the many beauty products and perfume bottles featured in them. During all these years I tried to identify some of the bottles from the screencap above, but always failed. Until today.
The bottle on the far left definitely looks like Dana Heaven Sent, created by Loc Dong and launched in 2001. But there’s a problem here, since the film was released two years earlier.
But there’s an explanation! This perfume was originally launched by Helena Rubinstein in 1941, so I believe Sofia Coppola’s prop masters chose a vintage perfume for the shot above. After all, you can see the original and the re-launched fragrances basically have the same bottle.
But there’s more: the spray bottle next to Heaven Sent is Jōvan Musk cologne, first launched in 1972.
Thanks to the invaluable help of Peter (a reader of this blog) for the ids.