Some years ago I read on a perfume forum an interesting fact about the scene above, featuring Shirley MacLaine sitting at her vanity: a bottle of Guerlain Mitsouko appeared in it. I had never watched this film before, so I couldn’t tell if the rumour was true. Now I can tell that it’s not!
No Mitsouko in sight but a floral box with rounded edges, containing MadameRochas by Rochas! Too bad the box doesn’t reveal its content.
I love this choice. The name of the perfume echoes the title of the film; plus the white floral fragrance (created by Guy Robert and launched in 1960) suits the flamboyant yet melancholic protagonist.
Davis has a very busy working life and a very strict daily routine which includes beauty treatments. So it’s not surprising to see many toiletries in his bathroom. D. R. Harris Arlingtonmahogany shaving bowl is one of them.
On the washbasin counter there are more beauty items:
Lena (Penélope Cruz) is a broken woman: trapped in an unhappy marriage, she desperately longs for freedom and real love. She lives in a luscious house, she’s always dressed elegantly, she’s surrounded by expensive objects, but all this rarely gives her joy.
Perfumes and beauty products follow her in many scenes, as if they were heavy trappings of a fake identity. The triangle-shaped bottle of Lancôme Trésor body lotion makes its appearance for the third time, so now I guess it’s safe to say that this is her signature scent. It’s an unusual choice, because I would see Lena wearing something more peculiar, with more personality, so I guess this is another way to force her into a role she doesn’t feel comfortable with.
In her bathroom there is also Givenchy Ysatis, a floral chypre fragrance created by Dominique Ropion in 1984.
Last, there’s L’Occitane Eau d’Iparie, an oriental woody fragrance launched in 2005.
This self portrait was taken by the American photographer Lee Miller around 1930 in Paris. The surface reflecting her image was the window of the Guerlain boutique.
The two bottles are flacons bouchon coeur, designed by Raymond Guerlain in the early 1910s to house three fragrances in their extrait version (L’Heure Bleue, Mitsouko and Fol Arôme). The front labels are not readable, so it’s impossible to know exactly what perfumes they contained. We can make some assumptions, though: all the three fragrances I’ve mentioned above are good candidates, because they were released well before the 1930s (L’Heure Bleue and Fol Arôme in 1912, Mitsouko in 1919). One may also include Shalimar as a possible candidate: launched in 1925 in the famous flacon chauve souris, somehow it was available in the flacon bouchon coeur, too, although it’s an anomaly, as beautifully explained by Dimitri Dimitriadis.
Another question that arises is about the location of the shop. Where was this picture taken? The French perfume house was founded in 1828 and had its first shop at 42, rue de Rivoli in Paris. In 1840 the flagship store was opened at 15, rue de la Paix. When Miller took this picture, the flagship store was at 68, Champs-Elysées, the same location it has today. That is where the beautiful picture above was taken and that is where Miller’s picture was taken as well.
Special mention to the shot Exploding Hand, which shows the scratches left by thousands of rings, worn by Guerlain customers, on the glass entrance door.
[1] I never write personal comments on the films I post about, but this time I feel I have to. This is Paris is a documentary by Alexandra Dean which throws some light on what is behind the glamour and fame of the American heiress. Her experience at Provo Canyon boarding school and the trauma that she’s still dealing is not easy to witness, but I think Paris was brave to standing up and share painful memories as an attempt to deal with them. She has also joined the Breaking Code Silence movement to raise awareness about the damages caused by the Troubled Teen industry.
Martha (Vanessa Kirby) goes shopping at a department store. The lip colour she wears is Maybelline Superstay Inkcrayon lipstick in Settle for More. The brand sticker has been removed.
In the same display there are other Maybelline make-up items – Fit Me! Matte + Porelessfoundations and Fit Me!concealers.
When Mimi (Emmanuelle Seigner) follows Oscar at a house party after their break-up, she’s wearing a drab dress and looks very depressed. He mocks her by advising to put some make-up on. She follows the advice by powdering her face.
In the bathroom where Mimi powders her face there are three great perfumes. The first on the left is Hermès Calèche, created by Guy Robert and launched in 1961.
The bottle with drop-shaped stopper is Van Cleef & Arpels First, created by Jean-Claude Ellena and launched in 1976.
Last, Caron Nocturnes de Caron in the fascinating black bottle with round glass stopper. This floral perfume, created by Gerard Lefort, was launched in 1981.
A growing archive of beauty products and perfumes in movies and tv shows