A couple of weeks ago, my friend Raffaella went to Stockholm, where she visited ABBA The Museum. She sent me some awesome pictures of the band’s dressing tables, so let’s see what’s on them.
On the left, next to the metal suitcase, there’s a box of Cacharel Anaïs Anaïs, the ultra-feminine and romantic perfume created in 1978 by Roger Pellegrino, Robert Gonnon, Paul Leger and Raymond Chaillan. The yellow bottle next to it is probably a shampoo or a shower gel; the brand is LdB (Lait de Beauté), a very famous Swedish brand established in 1948.
There’s also the unmistakable golden can of L’Oreal Elnett Satin hairspray.
Next to the hairspray, there’s the spray bottle of a Dior scent. The front label is not visible, so it’s impossible to tell exactly what perfume it is. It could be the Miss Dior cologne, the Eau Fraiche, Miss Dior eau de toilette, Diorissimo eau de toilette, or another Dior perfume who had the same bottle.
Just behind the glass, there’s a bottle of Oil of Olay moisturizing fluid.
There’s the beautiful royal blue, black and silver metal bottle of Yves Saint Laurent Rive Gauche, too. Created by Michael Hy and launched in 1971, it’s a floral aldehyde scent.
On the far right there’s a bottle of Givenchy III, created by Pierre Dinand and launched in 1970 to celebrate the opening of the Givenchy store on 3 Avenue George V in Paris.
In the front row there are make-up products, among which a box of Kryolan false eyelashes and a Color Riche lipstick by L’Oreal. I’m not sure about this last id, though. L’Oreal lipsticks used to have a dark (aubergine?) case in the 1980s; ABBA’s last album, The Visitors, was released in 1981: had L’Oreal introduced the gold-case lipsticks yet?
On another table we can see a tin box of Nivea Creme. Next to it, an amphora-shaped bottle with gold cap: this is Nina Ricci L’Air du Temps. Despite being famous for its twin-dove fluted bottle, the perfume (eau de toilette version) was sold in this more basic bottle in the 1970s and 1980s.
There’s also a spray bottle of Rochas Madame Rochas, a Guy Robert creation launched in 1960.
The black compact in the centre front row is an eyeshadow palette by Elizabeth Arden. There’s another black compact on the right: I think it’s by Yves Saint Laurent (see the red and black logo with gold lettering), but I personally have no memory of black make-up cases, only gold ones.
The connection between Amy and Chanel became clear when Karl Lagerfeld sent his models sporting thick eyeliner and beehives on the runway of the Métiers d’Art 
A young, lamé-clad Ava Gardner posed sitting at a dressing table for Clarence Sinclair Bull in 1944. This was a promotional picture, but it’s interesting to see a bottle of Guerlain Shalimar cologne in the traditional flacon montre with glass stopper.
World Wide Aura 
