
Wyatt (Ilan Mitchell-Smith) and Gary (Anthony Michael Hall) are sampling perfumes at L. Magnin.

The refillable atomiser Gary is holding is Eau de Joy by Jean Patou, launched in the 1960s.


Wyatt is holding Cacharel Anais Anais, the romantic white floral scent created in 1978 by Roger Pellegrino, Robert Gonnon, Paul Leger and Raymond Chaillan.



The perfume counter displays other Patou perfumes – Eau de Joy in a splash bottle, 1000 in two sizes and a factice bottle of Joy in a black bottle with coral stopper. 1000, housed in a beautiful jade bottle, is a floral chypre perfume created by Jean Kerleo and launched in 1972. Joy, the “costliest perfume in the world”, was created by Henri Almeras and launched in 1930.

When the camera moves to the other side of the counter, other perfume bottles make their appearance. Right in front of the boys there are two Dior bottles.

The atomiser without stopper contains the eau de cologne version of Miss Dior, created by Paul Vacher and Jean Carles and launched in 1947.


The crystal bottle with brass stopper is kind of confusing: the front label looks white with dove grey details but it looks kind of pink, too. In any case, it’s the travel flacon containing the eau de parfum of Miss Dior (if we assume the front label is white) or Diorissimo (if we think it’s pink).

There’s also Pierre Balmain Ivoire de Balmain, another floral chypre fragrance: it was created by Francis Camail and Michel Hy, and launched in 1980. The white bottle was designed by Pierre Dinand.

Half hidden in one corner, there’s also Halston, housed in the Elsa Peretti-designed bottle. This creation by Bernard Chant was launched in 1975.
Thanks to Le Petit Civet who first wrote about perfumes in this scene.
















The Canadian actor Jack Merivale took this picture in 1960. He was performing as Armand in the play Duel of Angels by Christopher Fry, along with Vivien Leigh. They were at the Huntington Hartford Hotel in Pasadena during the American tour of the play. They had been partners since 1958: Merivale stayed by Vivien Leigh’s side until her death, in 1967, and supported her during the difficult last years of her life.
On the left, right next to the Olivier picture in the silver photoframe, there’s a Guerlain flacon goutte. First introduced in 1923, it was used for over 30 different fragrances, so there’s no way to tell exactly which one was sitting on Leigh’s table.
Last but not least, the perfume we can identify without any doubt: Joy by Jean Patou, the actress’ signature scent [1], first given to her as a gift by Olivier.
Kitty’s perfume counter is packed with Jean Patou fragrances. We can see several bottles of Joy and three smaller bottles.
Colony, launched in 1938, is another creation by Almeras.
The miniature on the left is 
Later in the episode, a poster for Joy can be seen.



















Astrid (Alison Lohman) decorates a suitcase dedicated to one of her foster mothers, Claire Richards (Renée Zellweger), with a bottle of Jean Patou Joy perfume.