The opening of this scene deserves a moment of silence. This is the intricately ornate vanity of Debbie Schaffer (Hayes Warner), who’s getting ready for a night out. The “frieze” decorating the bottom of the mirror perfectly echoes the maximalist style of the early part of the decade. Honestly it’s left me speechless, because there’s a lot about the 1980s (visually speaking) that I have tried to forget over the years, but let’s move on from here.
A can of Aquanet super-hold hairspray can be seen on the table. It’s the first product she uses.
There’s a lot happening on her table, but I have managed to identify two bottles. The one with the milky white stopper is Dior Miss Dior eau de cologne; the other, with the milky white dove stopper, is Nina Ricci L’air du temps, previously seen in the pilot, although housed in a different bottle. Both choices are historically accurate: the original Miss Dior (a creation by created by Paul Vacher and Jean Carles) was launched in 1947, and the Nina Ricci fragrance (a Francis Fabron creation) was launched in 1948.
Among the nail polish bottles, there are a couple with a distinctive hexagonal cap: they are Super Nails nail polishes by Natural Wonder.
It makes sense for Debbie to own Remington 600 Super hand-held hair dryer, which came with attachments for different stylings.
When the girl opens a drawer of her table (she’s looking for something), more products can be seen.
There are several Lip Smacker lip balms, among which Blue Raspberry, Piña Colada and Kiwi. These are not vintage products, but these lip balms were first introduced in 1973 by Bonne Bell. They’re definitely a realistic choice.
Last, a Chanel compact. It’s impossible to know what it contained (pressed face powder or eye-shadows), but it’s another realistic choice. The advert above is from 1980: it promoted the make-up collection Les Provocatifs, which I haven’t been able to find more information about. In any case, in the early 1980s both pressed face powder and eye-shadow palettes were part of Chanel cosmetics collections.
Clara (Angela Molina) is finally leaving her abusive husband Sancho, so she’s quickly packing some toiletries. In her bathroom there are many beauty products.
On the glass shelf there are two Shiseido Benefiance products – a toner and a cleansing milk.
In classic Almodóvar style, Chanel products make their appearance. In this case, there are a compact and a bottle of bi-phase make-up remover (or toner). There’s also a black box with gold band I haven’t been able to identify. It may be related to No. 5, but I have no idea what it can be.
Under the glass shelf there’s a cardboard bottle of 
Next to the Chanel make-up remover there’s Guerlain Champs Elysées in a 
But Champs Elysées is not the only Guerlain item in Clara’s bathroom. On the top glass shelf there’s a round gold box containing Météorites 
Norma Boss (Cecilia Roth) uses Chanel make-up: in the screencap above, a Rouge Coco lipstick in a pale coral shade.
Uncle Daddy (Dean Norris) and Juanda (Dale Dickey) are getting ready to attend Roller’s funeral. She puts on some Chanel bronzer (or blush) on him.
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