The Woman (Tilda Swinton) is applying mascara in front of a round mirror. The bathroom she’s in is tiled in different colours and is full of beauty products and toiletries.
Starting from the left red-tiled niche, I’ve identified:
Rochas Eau de Rochas bath and shower gel
Chanel La Crème Main hand cream
Perlier Honey Miel bath and shower cream and Thai Coco body lotion
Chanel Paris-Biarritz shower gel
Moving right, there’s the blue-tiled niche, where there are two hair products:
John Frieda Luxurious Volume Touchably Full conditioner
L’Oreal Extraordinary Oil oil-in-milk leave-in hair cream
Now there’s the washbasin counter, packed with bottles of medicines.
The first perfume bottle I’ve spotted is Hermès Eau de Citron Noir cologne.
Then there’s obviously the Chanel No. 5 factice.
Next, three products by Natura Bissé from the C+C Vitamin line – face cream on the far left, sun protection at the top left corner of the washbasin and micellar cleansing water next to the tap.
There’s also a bottle of Chanel Les Beiges foundation among the medicine bottles.
All the right part of the counter is for Chanel make-up items. So we can see
Joues Contraste powder blush
Rouge Allure red lipstick
A cream blush
Poudre Universelle Libre loose powder
Les 4 Ombres eyeshadow palette in Tissé Camélia
Palette Essentiel in Beige Clair
Les Beiges compact powder
Le Lift Lèvres et Contours firming cream.
Last, two toothpastes in a silver glass
One is Marvis Classic Strong Mint toothpaste.
The other is Verkos Kemphor toothpaste.
Next to the Helena Rubinstein bottle there’s Lancôme Trésor body lotion.
The scarlet red lipstick she puts on Juana is another product by Cacharel. The lipsticks of this short-lived line were contained in beautiful matte metal cases, the tops of which were lip-shaped.
The nurse (Lupe Barrado) who’s taking care of Pablo in the hospital retouches her red manicure with a Christian Dior nail polish.
The retro-style 
It’s the marbled lipstick Glissando, launched in 1964 by the American brand Du Barry.
Available in six shades (“from light-struck pinks to muted ambers to rich reds”), it was housed in an elegant silver and gold metal case.
It’s not a coincidence that later in the film we see several products from the same line on Pepa’s vanity. Pepa (Carmen Maura) is the former mistress of Iván. She’s another woman “on the verge of a nervous breakdown”, just like Lucía: they’re in love with the same man (who has dumped both of them for another lover) and happen to use the same skincare.
When María Cardenal (Assumpta Serna) re-applies her lipstick, we can see it falling on her lap.
It’s Stylo à Levres by Lancôme, a product launched in the 
There’s Neutrogena hand cream on Mercedes’ desk.