Beautiful Joan Collins looked gorgeous in this picture from the 1950s. Some intriguing charm is imparted by the several bottles sitting on her vanity, too.
From the left, there are two Rochas bottles, one of which has the glass stopper. I’d like to say this was Femme, but I’m not 100% sure: other three perfumes – Mousseline, Mouche and La Rose – were housed in the same curvy bottle. All these fragrances were created by Edmond Roudnitska.
The same can be said for the bottle with the plastic stopper: this one could be Femme eau de cologne, or one of the aforementioned scents.
The small square bottle with black stopper is the mini version of a Lanvin perfume. It’s unclear if it was Arpege or another scent (the same container was used to house different fragrances).
Next, there’s a bottle of Christian Dior Diorama, a chypre fruity creation by Edmond Roudnitska launched in 1948. Am I the only one who has always seen Dior’s signature bow-topped front label as the peak of Parisian chic?
The fluted “skyscraper” bottle is quite unmistakable: it’s Je Reviens by Worth, a fragrance created by Maurice Blanchet and launched in 1932.
The round lace-printed box on the right is another product by Rochas, a perfumed talcum powder which, I guess, was from the Femme line.
A couple of words on the two of the four bottles I haven’t identified, starting with the bottle with rectangular stopper. It looks like Lancôme Bocages, but I can’t see the peculiar semi-circular shape in the stopper. Then the glass bottle on the right looks like a Chanel one, but have Chanel front labels ever been that rectangular? Any ideas on these doubts of mine are welcome!
Thanks to Scentimentalist and Le Petit Civet for the Lanvin id.
Let’s take a moment to appreciate this screenshot: Elektra Wintour (Dominique Jackson) is gracing us with a rare smile and gives us the chance to get a closer look at her vanity.
Celeste (Nicole Kidman) is getting ready to go to court to fight her custody battle. She’s the only character in the show who’s consistently shown while 
Wet n Wild eye make-up remover
Chanel Perfection Lumière Velvet 
Charlotte Tilbury Cheek to Chic 
The 
Hollywood Montrose (Meshach Taylor) works as a window dresser at the department store Prince & Company. He’s one of the few persons who are friendly with Jonathan (Andrew McCarthy). After being hired as shop boy, Jonathan will soon start working – exclusively at night – as window dresser. His displays will become hugely successful, much to Hollywood’s delight.
First, Emanuel Ungaro Diva, created by Jacques Polge in 1983
Perry Ellis 
And last, Giorgio Beverly Hills Giorgio for Men, launched in 1984.
On Desna’s working station there are nail polishes by China Glaze, Orly and Essie.
OPI, Orly and China Glaze nail polishes make their bright appearance in these intermission shots.
One of the most intense and emotional moments in a VERY intense and emotional episode was the conversation between Candy (Angelica Ross) and her mother (Patrice Johnson Chevannes). In particular, a memory from the past is brought up: as a young boy, Candy wore her mother’s perfume, a symbol of the “silent pact” she thought was between them. Despite her assumptions and hopes, though, Candy got rejected by her family for being a transgender woman and this felt like an unbearable betrayal.
The perfume worn by Vivica and Candy is another strong symbol: 
The advertising campaign of Charlie was about independence, gorgeousness and sexiness: as the slogan said, it was a “gorgeous, sexy-young fragrance”, embodied by statuesque model/actress Shelley Hack wearing trousers.
In an intermission shot three polishes can be seen – a fluo pink one by OPI, a bright red one by Orly and a sunny yellow one by China Glaze.
World Wide Aura 