

Erno Laszlo lotion bottles (old packaging) and a compact embossed with Laszlo winged logo can be seen in Elaine’s bedroom.
Gucci’s creative director Alessandro Michele published this picture in his Instagram Stories some days ago. It’s unclear whether all these perfumes belong to him or to somebody else, but nonetheless let’s bask in the beauty of this nocturnal shot.
Starting from the left, I’ve spotted Xaris, a frankincense resinous fragrance by the Florentine brand Aquaflor.
Then there’s a French classic: Snob by Le Galion, originally created by Paul Vacher and launched in the 1950s. This is the new version by Thomas Fontaine, launched in 2014.
Next there’s a Baccarat splash bottle containing a Caron perfume. This bottle has been used since the 1930s for many different fragrances. Without a front label it’s impossible to say what perfume is sitting on Alessandro Michele’s table.
Last, there’s Rodin Olio Lusso for Women, a white floral fragrance created in 2012 by David Seth Moltz and Kavi Moltz.

The perfume sitting on Julie’s bedside table is Cacharel Anais Anais, a romantic white floral scent created in 1978 by Roger Pellegrino, Robert Gonnon, Paul Leger and Raymond Chaillan

The blush Stacey (Heidi Holicker) is wearing is Revlon Blush-On.


I think Xavier Dolan must have a thing for perfumes mothers wear. In his films, there’s often a moment in which the protagonist’s mother explains what perfume she’s wearing [1], so I guess this must have something to do with a personal obsession of the director. In this case, Grace (Susan Sarandon) is wearing Nina Ricci L’air du temps, the classic floral/spicy creation by Francis Fabron launched after WWII, in 1948.
[1] In Mommy, Diane says she’s wearing Christian Dior Eau Sauvage.
Julie, the film’s protagonist, is an only child but she’s hardly ever alone: she spends most of her time with her friends. Stacey (Heidi Holicker) is one of her closest friends: she often visits Julie at home, where they spend time together. In this scene, Stacey is painting her nails on a clear acrylic paint station which also works as organiser. It contains nail polish bottles and two perfumes.
There’s a miniature of Cacharel Anais Anais, which Julie owns in full size, too. It’s a lovely choice for someone trendy like Julie: the first Cacharel perfume, launched in 1978, was very popular in the 1980s.
On the other hand, the second perfume is quite surprising: it’s the now-discontinued Inoui by Shiseido, launched in 1976, described by Elena Vosnaki as a fragrance where “the alliance of juniper, with its gin-like background, with galbanum and pine, gives the initial jolt of seemingly frozen nostrils, icicles growing up your brain, which becomes the prelude for the harmony of peachy florals in the heart with a classic chypre base.” It sounds appealing, doesn’t it? That’s why finding it in the bedroom of a Valley Girl, someone who’s stereotypically interested in shopping, partying and dating, is so unusual.
Thanks to concepteaux for the Shiseido id.

Hadassah Gold (Bette Midler) is getting her manicure done. Both nail polishes on her desk are by Essie.
Hadassah Gold (Bette Midler) is the chief of staff and assistant of Dede Standish (Judith Light), the New York State senate majority leader. They are about to meet the junior senator-elect from Texas but there’s a problem: Dede has just put on a lipstick which is not her favourite.
As Hadassah confirms by reading the shade sticker at the bottom of the tube, Dede puts on Pretty Please by MAC, a pale pink pearl shade that makes her look like a corpse.

But the emergency is immediately solved: Hadassah takes the right lipstick – Politely Pink (dirty pink) – out of her bag.
She even puts it on her boss, who’s very nervous about the upcoming meeting.