
Philippe (Henri Garcin) and Mathilde (Fanny Ardant) are a happy couple until they move next to a former lover of hers. By the end of the movie their relationship is still a thing, but jealousy and regrets don’t make it easy.
There are several interesting products in their bathroom. The aqua bottle with pink stopper, for example: even if I haven’t found any visual evidence, it’s a Jeanne Gatineau skincare item – a cleanser or a toner.


Not surprised to see a splash bottle of Lancôme Magie Noire: this fragrance, created by Gerard Goupy, Jean-Charles Niel and Yves Tanguy and launched in 1978, wonderfully suits Mathilde’s femme fatale character.
There’s also a Chanel bottle, which I believe contains a bath oil.


Last, there’s a square bottle by Lanvin. Even in this case, it’s impossible to read the front label. If we take the plot of the film into account, I like to think this is Rumeur, an Andre Fraysse creation launched in 1934.
In 1983 the popularity of the Italian showgirl Raffaella Carrà was about to peak: in that year she would start hosting Pronto, Raffaella?, one of the most successful tv programmes of the decade. Angelo Deligio took these wonderful pictures of Raffaella in her dressing room, surrounded by beauty products, personal items (see the Louis Vuitton Monogram Canvas box above) and design objects [1].
The first beauty products that have captured my attention are by Lancôme. Raffaella used the classic toner/cleansing milk duo: the toner is Tonique Douceur, while the cleansing milk is Galatéis Douceur.
By the mirror there’s also Max Factor Pan Stik, along with a tiny bottle of Imidazyl eye drops and a box of Chicco cotton buds.
This picture was taken on the opposite side of the room. The Lancôme duo is still visible, but next to Raffaella there’s another intriguing bottle.
Here it is again. It’s a
If we move to the opposite side of the room, next to Raffaella, there are other two products – Schwarzkopf Taft hairspray and Evian spray mineral water.