
The lipstick Drey (Shareeka Epps) puts on is Perfect Tone by Black Radiance.


There are two versions of Guerlain Chant d’Arômes on the glass shelf in Melanie’s bathroom. The white floral perfume, created by Jean-Paul Guerlain in 1962, is here presented in the amphora-like bottle designed by Pochet et du Courval exclusively for it, but there’s the refillable spray canister, too.
I haven’t watched Call Me by Your Name by Luca Guadagnino yet, but I’ve kept the best picture from the set for last. The author is – again – Giulio Ghirardi, who gave us the perfect shot of a dressing table, covered with some fabric from the Middle East.
Among the several perfume bottles, I’ve spotted Christian Dior Eau Sauvage, a 1966 creation by Edmond Roudnitska.
Next to it, there’s Acqua di Parma Colonia, the first fragrance of the Italian brand, created in 1916.
The blue tin unmistakably contains Nivea Creme, a product created in Germany but incredibly popular in Italy.
Another quintessentially Italian product is Roberts Acqua distillata alle rose, a toner first created in 1867.
Last but not least, there’s a bottle of Vanderbilt by Gloria Vanderbilt, a huge commercial success created by Sophia Grojsman in 1982. It’s impossible not to have a memory of it, if you were born in the 1970s/1980s: this white floral fragrance was everywhere!
Linnet Ridgeway’s bedroom/boudoir is lavishly furnished in white and decorated with colorful glass, mirrors and marble. Several French perfumes are sitting on her vanity, a natural extension of her flawless style.

The first bottle that has caught my attention is the Lanvin boule on the left. It’s unclear what perfume it contained, because the French maison used the same bottle for two different perfumes, Arpege (created by Andre Fraysse in 1927) and My Sin (called Mon Péché in French, created by the mysterious Madame Zed in 1924). The film is set in the 1930s, so it’s plausible for both to sit on that vanity.
The same thing can be said for the black bottle on the right, containing Lanvin talcum powder. It could be Arpege or My Sin.
The Guerlain chauve souris bottle unmistakably contained Shalimar, created by Jacques Guerlain in 1925.
Guerlain Liu black flacon tabatiere with gold accents is in tune with the Art Deco vibe in Linnet’s bedroom. The perfume was created by Jacques Guerlain in 1929.
Thanks to Karen Hatch for the id.

Elwood (Dan Aykroyd) keeps a bottle of Old Spice on a shelf by the fridge.
Thanks to AW for the id.


There’s a spray bottle of Avène thermal spring water and two Chanel lipsticks – Rouge Coco and Rouge Allure – on the dressing table of Maria Enders (Juliette Binoche).
Mellie Logan (Riley Keough) uses almost exclusively Tigi Bed Head products at the hair salon where she works. Starting from the farthest table to the nearest, I’ve spotted the following:

Two cans of Superstar Queen for a Day thickening spray, one on both tables
A round bottle of Small Talk energizing cream

A pump bottle of Dumb Blonde violet-toning shampoo, perfect for the Purple Lady (Rebecca Koon)
A bottle of Elasticate shampoo (or conditioner)
A can of Flexi Head strong flexible hold hairspray
A bottle of Straighten Out straightening cream
A bottle of Control Freak serum
A bottle of Maxxed-Out massive hold hairspray
The odd one out here is a pink can of Aqua Net super-hold hairspray
Even the pink hairdryer is by Tigi: it’s the Mind Blower hairdryer

I wonder if Monsieur Poirot (Peter Ustinov) noticed the massive Guerlain flacon montre sitting on a shelf in Linnet Ridgeway’s bathroom, while inspecting the heiress’ cabin on the Karnak steamer. Too bad the front sticker was scratched out: we will never know what cologne she used.
Using a flacon montre here is not 100% accurate: if we assume the novel is set before 1937 (year in which it was published), the choice is not accurate because this bottle was introduced on the same year. In any case, this is another example of “partial inconsistency:” this bottle was not available at the time in which the story was set, but it was at the time in which the film was shot.

There’s a Dior Diorskin liquid foundation in Lorraine Broughton’s make-up drawer. This is clearly a historically inaccurate choice – the story is set in the Berlin in the late 1980s – but there’s an explanation: Charlize Theron, who plays the role of Lorraine, has been the testimonial for Dior J’Adore since 2004. Besides the foundation, other details (clothes and accessories, for example) are contemporary.


Ally Mayfair-Richards (Sarah Paulson) has gone through hell to save herself and her son from the white suprematist craze gripping U.S.A. Now she’s a senator, but her project to assert women’s power is not over. In the very last scene of the episode she’s getting ready to go out: the gold brush she uses to retouch her make-up is the rouge brush by Bésame Cosmetics.
Thanks to my friend Jennifer for the id.