
Andi (Elizabeth Raeser) has Dolce & Gabbana Light Blue Intense and NARS radiant creamy concealer on a chest of drawers in her bedroom.

Andi (Elizabeth Raeser) has Dolce & Gabbana Light Blue Intense and NARS radiant creamy concealer on a chest of drawers in her bedroom.

Will (Noah Schnapp), Mike (Finn Wolfhard) and Lucas (Caleb McLaughlin) are at the Starcourt Mall sampling perfumes. They haven’t suddenly turned into scent enthusiasts, but are trying to find something Mike can buy for Eleven as a gift.

The white boxes with pastel touches and “draped” bottles are Louis Féraud Vivage. This perfume, created by Jean-Pierre Bethouart and launched in 1984, was the result of a collaboration between the French fashion designer and Avon. Heavy on musk and ylang-ylang, this is definitely not a perfume for a young girl.

In the window under the counter more Avon perfumes are displayed.

The empty (!) bottle with golden stopper is the thimble, previously seen in Barb’s bathroom. The same bottle was used for different fragrances, so it’s unclear what this one contains.

The bottle with black stopper is a men’s fragrance, the musky Black Suede, launched in 1980.

On the right, the bottle with silver “hook” stopper is Tempo, a woody fragrance launched in 1978.

Last, hidden among boxes, there’s the unmistakable flat-top bottle of a true 1980s classic – Guy Laroche Drakkar Noir, the aromatic woody fragrance created by Pierre Wargnye and launched in 1982, incredibly popular all through the decade.
Let’s take a moment to appreciate this screenshot: Elektra Wintour (Dominique Jackson) is gracing us with a rare smile and gives us the chance to get a closer look at her vanity.

The small bottle on it is one of the greatest perfumes of the 1980s, Givenchy Ysatis, an “opulent fragrance that smells like luxury” [1]. Created by Dominique Ropion and launched in 1984, it’s simply perfect for a fierce and unapologetic character like Elektra.
[1] As reported on Fragrantica. I can’t think of a better description.
Nancy has spent the night with Jonathan and she’s in a hurry to get to work.

When the camera quickly pans over a dresser in Jonathan’s bedroom, we can see a perfume bottle that definitely belongs to Nancy: it’s CacharelAnais Anais eau de parfum, a romantic white floral scent created in 1978 by Roger Pellegrino, Robert Gonnon, Paul Leger and Raymond Chaillan.

There’s a flacon montre of Guerlain Shalimar cologne in the dressing room of the club where Candy works as pole dancer.
It’s clear Ryan Murphy, Pose’s showrunner, is a fan of the Guerlain perfume: you may remember it was mentioned in American Horror Story: Hotel (it was Ramona Royale’s signature scent) and in American Horror Story: Roanoke (it was used by Lee Harris).

The assassin Villanelle wears a perfume named after her, which she often uses as a weapon. Not surprisingly, she sends a bottle to Eve Polastri, the MI5 officer who is after her but at the time time obsessed with her.
The packaging is luxurious – thick cardboard for the box, satin lining, statement glass bottle. The “spiky” stopper reminds me of the Valentino Uomo bottle.
Angel (Indya Moore) finally gets her own apartment thanks to Stan. On Christmas Eve she goes through her beauty routine, waiting for her lover to pay her a visit.
The pink bottle on her vanity is Xi’a Xi’ang, a perfume launched in 1987 by Charles of the Ritz and later released under the Revlon name. Named after the Chinese word for “imagination”, it was discontinued in 1995.
Thanks to perfumes_marimichimoni on Instagram for the id.

When Angel (Indya Moore) goes to a perfume shop inside the Trump Tower for a job opportunity, a factice bottle of Chanel No. 5 can be seen in the background.

When the perfume counter is shown, some bottles of Yves Saint Laurent Mon Paris are shown. It’s a historically inaccurate choice, because this perfume (created by of Olivier Cresp, Harry Fremont and Dora Baghriche) was launched in 2016, thirty-one years after 1987, when the show is set.
I wonder why the prop masters didn’t select the original Paris, the hugely popular YSL fragrance by Sophia Grojsman launched in 1983.


When Susie (Alex Borstein) goes to B. Altman to fetch Midge and take her to an evening gig, we can see a big factice bottle on a counter. Despite the hot pink liquid in it, the bottle is clearly recognizable: it’s Hermès Calèche sans the ribbon around the neck.

Monica (Claudia Pandolfi) is a character with a few contradictions: a former athlete now married to the Lebanese ambassador to Italy, she could live without working but she does. Unable to leave her athlete career behind, she works as physical education teacher at an exclusive Roman high school. She’s an adult who has lots of regrets, so in the tv show she slowly falls into the trap of believing she can make up for lost time.

Despite her simple style, she likes living luxuriously, as shown by some objects in her bathroom. On the white shelves near the washbasin we can see two perfume bottles.

The one topped by a piece of white canvas is a Creed fragrance. Unfortunately there’s no way to see what perfume it contains, but the glass splash flacon by the British perfume house is unmistakable.

There’s also a travel bottle by Guerlain, now used to contain men’s fragrances. The front label is not that clear, but I want to believe it’s dark green, which means the perfume is Vetiver, originally created by Jean-Paul Guerlain, launched in 1961 and re-launched in 2000.
It’s unclear whether this is Monica’s bathroom or if she shares it with her husband. In any case, I could see her wearing Vetiver, a perfume which appeals to her active and unconventional side.