

There’s a jar of Payot Blue Techni Liss Jour chromo-smoothing cream in a medicine cabinet in the Howards’ house.


There’s a jar of Payot Blue Techni Liss Jour chromo-smoothing cream in a medicine cabinet in the Howards’ house.




Aline (Valérie Lemercier) is holding and smelling a bottle of Pour un Homme de Caron by Caron, an aromatic fragrance by Ernest Daltroff launched in 1934.
Thanks to Alessandra for submitting this post.

Lucia (Paola Cortellesi) is a jazz singer who often travels for work. In two different scenes set in hotels we get to know her perfume of choice, in a beautiful black bottle with sculptural gold stopper.


It’s Soir d’Orient by Sisley, a warm spicy fragrance created by Olivier Pescheux and launched in 2015.

In the second picture we can see another Sisley product on Lucia’s bedside table – the grapefruit toning lotion.

Soon after giving birth to her daughter, the photographer Janis gets back to work: her first assignment is a still-life photoshoot. All the lipsticks in the shot above are by Lancôme. Here the prop masters have mixed tubes and caps from different lipsticks; they have made things more complex also by choosing caps from old packagings.

First from the left, L’Absolu Rouge lipstick in French Bisou, a limited-edition shade housed in a vegan leather case.

The second lipstick from the left is L’Absolu Rouge Ruby Cream but the cap belongs to another lipstick – the classic L’Absolu Rouge with an old packaging (the cap doesn’t have the bottom gold band).

The third product from the left is L’Absolu Mademoiselle Shine long-lasting conditioning lipstick in Mademoiselle Stands Out.


The fourth lipstick is a hybrid: the tube belongs to L’Absolu Rouge, while the cap is from an old version of L’Absolu Rouge Intimatte. Even in this case, the cap doesn’t have the bottom gold band that more recent versions of this lipstick have.


Francis Welty (Melissa McCarthy) applies lipstick using the mirror of Yves Saint Laurent Beauté Le Cushion Encre de Peau cushion foundation compact.
Thanks to Alessandra for submitting this post.



There’s a bottle of Chanel Allure in Rachel’s bathroom. The floral fragrance by Jacques Polge was launched in 1996. Next to it there’s a bottle of Bvlgari Pour Femme, a powdery creation by Sophia Grojsman launched in 1994.


By the bath tub there’s Clarins Huile “Anti-Eau” body treatment oil.
Thanks to Hannah for the Bvlgari id.


There’s Kleancolor Eye’m single glitter cream shadow on Maddie’s dressing table.

When the camera quickly moves over the dressing table, an array of nail polishes can be seen.



Among them, a nail polish by Sally Hansen (in the clear plastic container) and two nail polishes by OPI – silver glitter and red.
Thanks to Alessandra for submitting this post.



There are two bottles of BeneFit Chachatint mango-tinted cheek and lip stain and Simple cleansing facial wipes in Kat’s bathroom.
Thanks to Alessandra for submitting this post.

Twins Hardy and Thomas are taking a bath. On the white dresser on the left there are several products by Ortigia, a Florence-based company founded in 2006 by English enterpreneur Sue Townsend (one of the founders of Crabtree & Evelyn in 1968).

The amber pump bottle with palms printed on it is Zagara liquid soap.



The turquoise box contains almond soap, while the pale blue one contains Florio soap.

Last, the beautiful round tin box contains Florio body cream.
Thanks to Alessandra for submitting this post.

When Sylvia (Rosalind Russell) and Edith (Phyllis Povah) decide to act on the infidelity rumours about their friend Mary’s husband, they pay a visit to the cosmetic department at Black’s Fifth Avenue: there, they intend to meet the alleged mistress, Crystal Allen (Joan Crawford).
When they stop at a perfume counter, some interesting bottles can be seen.

On the mirrored table on the right there’s a factice flacon chauve souris of Guerlain Shalimar, the Jacques Guerlain masterpiece launched in 1925.

In the glass cabinet behind the shop assistant there’s a Guerlain flacon montre containing an eau de cologne.