

There are three flacons abeilles by Guerlain in Giulia’s bathroom.
This iconic bottle design was first introduced in 1828 for the Eau de Cologne Impériale, but was later used for colognes and eaux de toilettes, too.


There are three flacons abeilles by Guerlain in Giulia’s bathroom.
This iconic bottle design was first introduced in 1828 for the Eau de Cologne Impériale, but was later used for colognes and eaux de toilettes, too.


There are several Guerlain products in Mary-Jane’s wood-lined bathroom.

The first is a box of Les Météorites pressed-powder pearls sitting on the marble sink counter.


On the wooden shelf by the bath tub there are a flacon chauve souris of Shalimar and a flacon abeilles of Eau Impériale.

Kitty (Amy Beth Hayes) and Jessie (Sai Bennett) are collecting money for the Belgian Relief Fund, an international organization that supplied food to occupied Belgium and northern France during WWI.
Their counter is basically a display for Guerlain bottles.


Many of them are flacons abeilles, first used in 1828 to house the Eau de Cologne Impériale. The classic version of this bottle have the bees simply painted in gold enamel, while those with gold front label are the flacons abeilles dorées.


There are two flacons bouchon coeur, too. The choice is historically accurate because they first appeared in 1912; too bad one of these is a spray bottle, clearly not available at the time in which the tv show is set.
Last, there’s a flacon quadrilobe, another historically accurate choice because this bottle first appeared in 1908 to house the perfume Rue de la Paix, then used for the extraits of several fragrances.

Mme. Mélikian owns interesting beauty products.

First, a lovely flacon rayonnant of Guerlain Vol de Nuit, created by Jacques Guerlain and launched in 1933.

Second, a gold tube of Christian Dior Diorific lipstick. This packaging has been sadly discontinued.


She also owns two flacons abeilles of Guerlain Eau de Cologne Impériale, famously created by Pierre-François-Pascal Guerlain in 1853 to treat the migraines of Empress Eugenie, the wife of Napoleon III.
Thanks to Alessandra for submitting this post.

The bathroom that needs Alessandro’s intervention as plumber has a very peculiar decor: lots of Guerlain bottles lined up on the marble washbasin countertop. They have a decorative function, because they are filled with colourful liquid and not with perfume.

Most of the bottles are the teardrop-shaped flacons goutte, with shell-shaped stopper. First launched in 1923, it was created to hold the eau de toilette version of the most popular fragrances of the maison.

The taller bottles are flacons abeilles, still used for colognes and eaux de toilette. Originally designed to hold the Eau de Cologne Impériale, it’s decorated with bees, symbol of Napoleon.
There are many Guerlain perfumes on the vanity table of one of Émile’s victims. From left to right:
The classic flacon abeilles contains Eau de Cologne Impériale, a cologne created by Pierre François Pascal Guerlain for Empress Eugenie in 1853.
No way to know what the flacon goutte contains here. This bottle, first launched in the 1920s, has been used for many eaux de toilette.
There’s another flacon abeilles – sans golden bees – containing an eau. The front label is not shown, so it’s impossible to say what eau this is.
The sage green disk on a flacon montre indicates its content: Chypre 53 eau de cologne. The perfume was first released in 1909, but in 1948 it was re-issued as a cologne.
The last bottle is the perfumed deodorant of Chant d’Arômes, a 1962 creation by Jean-Paul Guerlain.
The latest music video by Charlotte Gainsbourg – Lying with You, from the album Rest – turns out to be an unexpected perfume lover mecca. Directed by Gainsbourg herself, it’s set in the apartment at 5 bis Rue de Verneuil (Paris) where her father, Serge Gainsbourg, lived. Soon to become a museum, it’s filled with objects that the French artist used and loved; among them, a massive amount of perfumes and toiletries.

In the screencap above, from left to right, there are two refillable atomisers by Guerlain – Chant d’Arômes in the white canister with leaf details and Shalimar with the blue arabesque pattern.
Next, there’s a bottle of Estee Lauder Aramis, created in 1966 by Bernard Chant.
The drop-shaped bottle is the flacon goutte by Guerlain. It was used for different perfumes, so it’s impossible to tell which one it contains.
There’s also a bottle of Lancôme Magie Noire, created by Gerard Goupy in 1978.

There are two body perfumes, too – the box and the shaker versions of Yves Saint Laurent Opium perfumed dusting powder.
The last bottle on the far right is the flacon abeilles by Guerlain.


There’s another Guerlain refillable atomiser, the one made of golden metal, launched in 1982. On the far right there’s a tall bottle of Murray & Lanman Florida Water cologne, first launched in 1808.


In the screencap above, there’s a bottle of Hermès Doblis, created by Guy Robert and launched in 1955. Next to it, a box of Santa Maria Novella soap: I do believe this is the vintage version of the almond soap.

Serge Gainsbourg’s signature perfume – Van Cleef & Arpels Pour Homme – is featured too. It was created in 1978 by Louis Monnet.
Another shot of the same perfume tray reveals the presence of more Guerlain products.
There’s the refillable atomiser of Eau Impériale.

Plus, four flacons quadrilobes and flacons bouchon coeur.
Lastly, there’s a vintage bottle of Garnier Birkin shampoo (or hair lotion). I wonder if Gainsbourg actually used it or just kept a bottle as a homage to his partner (and Charlotte’s mother) Jane Birkin.
Thanks to Vincent Legrudge for the Guerlain ids.



There are several Guerlain flacons aux abeilles dorées in Lea de Lonval’s bathroom.
Thanks to my friend Rocco for the id.
There are four Guerlain perfumes in Jackie Kennedy’s bathroom at the White House.
From left to right: the flacon bouchon coeur of Mitsouko, the flacon rayonnant of Vol de Nuit, a flacon abeille and the flacon chauve souris for Shalimar.
Next to them, a bottle of Bal à Versailles by Jean Desprez can be seen.
I’m sorry to say that the choice of the bottles is lazy and inaccurate. Take Mitsouko, for example: the spray version of this bottle came out in 1995, not in the 1960s. The same can be said for the flacon abeille, a spray version of which was launched in 1992. Why didn’t the prop master use original bottles? Such a disappointment for an Oscar-nominated film!
Thanks to my Instagram friend Mustapha for the id.

A Guerlain flacon abeilles and a Caron bottle can be seen on the dressing table of Lady Mae Loxley (Katherine Kelly).
The iconic bee bottle was first introduced in 1828 for the Eau de Cologne Impériale, but was later used for colognes and eaux de toilettes, too.