Marion Steiner is a strong woman: she’s the owner and leading actress of the Théâtre Montmartre in Paris during WWII. She’s also exceptionally beautiful and elegant, despite the harsh living and working conditions of that historical period. Still, it’s quite surprising to see an incredible array of Lanvin Arpège  products on her dressing table. This choice is historically accurate: the Lanvin perfume, created by Paul Vacher and Andre Fraysse, was launched in 1927.
Starting from the left, there’s a tall faceted bottle of Eau de Lanvin Arpège.
The only non-Lanvin product is Caron Narcisse Noir in the original bottle with engraved black stopper.
The black rectangular half-open box contains Lanvin Arpège soap. The packaging of the box seen in the movie is slightly different from the one above, though: the box in the movie has faceted – not rounded – edges.
Last, Arpège in the classic boule noire with ribbed stopper.
The same objects appear in a scene where Marion (Catherine Deneuve) is sitting at her vanity. In this case, another bottle of Eau de Lanvin Arpège can be seen in front of the mirror.
 Other Lanvin perfumes were launched before 1942 (year in which the film takes place) – Mon Péché in 1924, Scandal in 1931, Rumeur in 1934, Pretexte in 1937. The same bottles were used for most of them, so those seen on Marion’s table could contain one of them and not Arpège. Arpège was the most popular, though, so I guess it was easier to find in war times.
There’s a urban legend according to which Norma Desmond (Gloria Swanson) mentioned Caron Narcisse Noir in Billy Wilder’s Sunset Boulevard, thus scoring the first major product placement in cinema. You find this piece of news everywhere on Internet, basically in every single review of the perfume. Well, I’m sorry to disappoint you but this is what I said, nothing more than a urban legend.
Yesterday evening I took the time to watch the film for the nth time and there is no mention  to the Caron perfume. The only moment in which Joe Gillis (William Holden) comments on Norma’s perfume is from the movie-watching scene. “She’d sit very close to me, and she’s smell of tuberoses, which is not my favourite perfume, not by a long shot.” According to Fragrantica, tuberose can’t even be found in the olfactory pyramid of Narcisse Noir! Maybe the legend started from the fact that Swanson was said to have used this perfume on set, but there’s a big difference between saying she used it on set and saying it was mentioned in the film. I can’t rule out the possibility that a bottle of it was on the busy dressing table of the diva, but I couldn’t find it. Show me a screencap and we’ll discuss about it.
[Post updated in July 2020] Six years have passed since I first posted about this mystery and now I can finally say it’s been almost solved. Thanks to the invaluable information provided by M, a reader of this blog, we can trace back the false rumour of Gloria Swanson mentioning Caron Narcisse Noir in Sunset Boulevard to a fact.
M found a 1927 issue of the magazine Photoplay whereWhat the Pictures Do to Us by Terry Ramsaye points out a shopping mania sparked by Sam Wood’s Beyond the Rocks (1922), a silent film starring Gloria Swanson and Rudolph Valentino. The article states that “a peculiarly shaped bottle, squat and widespread, with a curious and imposing big black stopper, ornamented with flower carvings” can be seen in one scene where Theodora (Swanson) is making up. The perfume (identified as the 1911 Caron creation) intrigued the women in the audience so much that it soon sold out in shops.
This information is incredibly exciting, because it would indicate the first placement of a perfume in cinema history. I knew it was too good to be true, though: I watched the film twice and the scene mentioned in the article is nowhere to be found. Maybe the version available on YouTube is not the original one, maybe some scenes are missing; in any case, *that* scene is missing. But it’s not over: there’s a scene where a narcissus perfume actually makes its appearance!
The scene is set at a chalet in the Alps, where Theodora and her middle-aged husband Josiah Brown (Robert Bolder) are spending their honeymoon. A waitress pours some narcissus perfume on a handkerchief and gives it to Theodora. Soon after the woman loses the handkerchief, which falls to the ground; it’s picked up by a waiter, who goes around the tables to find its owner. The handkerchief gets into the hands of Lord Hector Bracondale (Rudolph Valentino), who sensuosly smells it. Even if the two protagonists first met years before, this moment sets their romance in motion.
You can see that the bottle is not Caron Narcisse Noir, but it’s a narcissus perfume nonetheless. This makes things complicated. What is the truth? Did the film have a scene not included in the version I watched where the Caron perfume was actually visible? Or did the fans of the film just go to the stores asking for a narcissus perfume and the Caron one was the only one with that name? This uncertainty breaks me but at least now it’s clear why Gloria Swanson was so strongly associated to a narcissus perfume. This association has kept going up to this day if so many people still think Narcisse Noir is mentioned or seen in Sunset Boulevard (it’s not!), a film Swanson starred in 28 years after Beyond the Rocks.