When Bob (Matt Dillon) and his drug-addict crew rob a pharmacy, a factice flacon chauve souris of Guerlain Shalimar can be seen on the shelf behind him.
Raffaella Carrà’s Dressing Room (1983)
In 1983 the popularity of the Italian showgirl Raffaella Carrà was about to peak: in that year she would start hosting Pronto, Raffaella?, one of the most successful tv programmes of the decade. Angelo Deligio took these wonderful pictures of Raffaella in her dressing room, surrounded by beauty products, personal items (see the Louis Vuitton Monogram Canvas box above) and design objects [1].
The first beauty products that have captured my attention are by Lancôme. Raffaella used the classic toner/cleansing milk duo: the toner is Tonique Douceur, while the cleansing milk is Galatéis Douceur.
By the mirror there’s also Max Factor Pan Stik, along with a tiny bottle of Imidazyl eye drops and a box of Chicco cotton buds.
This picture was taken on the opposite side of the room. The Lancôme duo is still visible, but next to Raffaella there’s another intriguing bottle.
Here it is again. It’s a Jeanne Gatineau product, probably a make-up remover in oil form. The trademark pink packaging can be found in the first picture, too, where a pink box sits by the mirror.
If we move to the opposite side of the room, next to Raffaella, there are other two products – Schwarzkopf Taft hairspray and Evian spray mineral water.
[1] In the pictures there are Ericsson Ericofon phone and Philips wired broadcast receiver.
Joker (2019)
The two bottles sitting in the bathroom of the Flecks are Prell conditioner and shampoo.
Joker (2019)
There’s a bottle of Old Spice cologne on the dressing table of one of the clowns working at HaHa’s.
Joker (2019)
There’s a MAC red lipstick in the dressing room where Arthur (Joaquin Phoenix) sits while waiting to perform at the Live! With Murray Franklin. I guess he used the same lipstick to write “Put on a happy face” on the mirror.
Seeing this lipstick here is not a surprise, because MAC was the brand of choice of the movie’s make-up artist, Nicki Ledermann, who used Chromacakes to create the protagonist’s clown looks.
The Goldfinch (2019)
There’s a tube of L’Oreal True Match Lumi Glotion natural glow enhancer on Theo’s mother’s vanity table.
Johnny Hallyday’s Dressing Room (1965)
Photographer Pierre Fournier portrayed the French singer and actor Johnny Hallyday in his dressing room at the Olympia music hall in Paris in 1965. The room walls are plastered with telegrams, while two interesting bottles sit on the table.
The bottle with the tiny bow around the neck is a classic: Eau de Cologne Fraîche by Christian Dior, a citrus fragrance created by Edmund Roudnitska and launched in 1955. Probably it was this cologne that started a life-long love story between the artist and the brand (he was the face of Eau Sauvage in 2000 and attended many Dior fashion shows).
The second bottle is from another staple of Parisian perfumery: Chanel. This huge squared bottle surely contained an eau de cologne. Not sure about the exact fragrance but, judging from the lettering on the front label, it may be Cuir de Russie, created by Ernest Beaux and first launched in perfume form in 1924.
River of Grass (1994)
In Cozy’s bathroom there are a can of Aquanet unscented super-hold hairspray and a jar of Clinique 7th-day scrub cream.
The jar with pink cap is a Christian Dior skincare product, probably the Hydra-Star moisturizer or a cream from the original Capture line. The two jars between the hairspray and the scrub are – I’m pretty sure – Estee Lauder products.
She uses a Maybelline eyelash curler.
Pola X (1999)
Balenciaga
There are two factice bottles by Marie’s tub. One is Balenciaga Le Dix, the classic floral scent created by Francis Fabron and launched in 1947; the other, with the pink bottle with silver accents, is Cerruti 1881, a Claire Cain creation launched in 1995.
Death and the Maiden (1994)
There’s a bottle of Clarins Lait Démaquillant Velours cleansing milk in Paulina’s bathroom.
World Wide Aura 
