


There are some skincare products in Peach Salinger’s bathroom. The brownish bottle with gold accents is Clarins Double Serum, while the smaller blue bottle is Booster Repair, again by Clarins.



There are some skincare products in Peach Salinger’s bathroom. The brownish bottle with gold accents is Clarins Double Serum, while the smaller blue bottle is Booster Repair, again by Clarins.


Lenny Bruce (Dustin Hoffman) has a wicker bottle of St. Johns Bay Rum after shave in his dressing room.


There’s Barbasol sensitive skin shaving cream in Payton’s shower.


There’s an eau de cologne by Officina Profumo Santa Maria Novella in Astrid’s bathroom cabinet. Impossible to tell exactly what fragrance this is: the brand uses the same bottle and the same wording for most of its colognes.
On the same shelf there’s a fluted bottle: it could be an Annick Goutal perfume or one by L’Occitane (old packaging in both cases) but the bottle is without stopper, so it’s hard to tell.

Pierre Brochant (Thierry Lhermitte) is a Parisian publisher who attends an “idiots’ dinner” every week with his posh friends: they usually invite an “idiot” and ridicule him during the dinner. The “idiot” he’s selected is François Pignon (Jacques Villeret), who works at the Finance Ministry. Pierre’s plan is disrupted by a sudden back pain which will keep him in bed; from there, comedy ensues.

The bottles on the bedside table in Pierre’s bedroom belong to his wife Christine. They are classy French fragrances, exactly what we would expect a chic bourgeois woman to wear.

The black bottle with red stopper is Joy by Jean Patou, the white floral fragrance created by Henri Almeras in 1930.

The tall bottle is a perfume by L’Artisan Parfumeur. This is one of the first bottle designs of the French brand: it’s not clear if it’s the very first (8-side bottle) or a more recent version (7-side bottle). We know it’s an old bottle also because the gold stopper is round and not geometric. The front label is pink and only one perfume with this packaging was released before the film: Drôle de Rose. Created by Olivia Giacobetti, it was launched in 1996.
Thanks to concepteaux for submitting this post.

Soon after Iris (Kara Hayward) meets the newcomer Maggie (Liana Liberato), they become friends. Maggie decides to give Iris a makeover, so they go shopping for cosmetics. The beauty counter at the department store they go to displays make-up and skincare products.

On the far left in the screencap above there’s a cardboard table display containing several tin boxes of Palmolive Cashmere Bouquet face powder.

More products can be seen thanks to a close-up.

The two jars with pink lids contain Woodbury skin cream.


There are three boxes of Coty Airspun loose face powder: the classic version has the yellow box, while the peach box contains a perfumed version (the scent in this case is L’Aimant).


The lipsticks with the striped cases are Yardley Slicker.

The white compacts with pink lid contain Beauté-Salon face powder.
On the right side of the counter there’s also a table display of Pond’s lipsticks.


Another shot shows us the far left side of the counter, where there’s another table display. This time the product is Woodbury lanolin-rich hand cream.

On their first meeting, Ocho and Javi visit the Museu de Perfum in Barcelona, founded in 1961, currently displaying more than 5,000 bottles. Some of them are highlighted in a brief scene.

The first bottle from the left is Schiaparelli Zut, housed in a geometric flacon. This perfume was created by Jean Carles and launched in 1948.

One of the most treasured pieces of the museum is a limited-edition Baccarat bottle designed by Salvador Dalí. Le Roy Soleil by Schiaparelli has the shape of a rock surrounded by waves, while the sun-shaped stopper is painted with flying birds to create a face. The packaging is a gold metal shell-shaped box lined in beige silk. This perfume, produced in 1947, was created to celebrate the end of WWII and was a homage – from the title to the bottle design – to Louis XIV.

The ivy leaf-shaped bottle (designed by Michel de Brunhoff) on the right is another Schiaparelli creation – Succès Fou. This woody/floral perfume was launched in 1953.


Another cabinet displays Guerlain perfumes. The first bottle on the left (a Baccarat flacon designed by George Chevalier) contains Djedi extrait. This oriental chypre perfume, launched in 1927, was created by Jacques Guerlain.

There are some flacons noeud papillon by Guerlain in two versions – the cobalt blue glass one and the gold and cobalt blue glass one. It’s unclear what fragrances they house because this bottle was designed to contain the extraits of several perfumes, like Kriss and Coque d’Or.

Half-hidden in the background there’s a cobalt blue flacon lanterne, first launched in 1935 to contain extraits of perfumes like Jicky, Rue de la Paix and Cuir de Russie.


Last but not least, a very original item: it’s HIS cologne by Northwoods, a fragrance launched in 1940. A man-shaped dark red bottle with a “face” stopper is designed in an Art-Deco style.




A huge display of Chanel Chance can be seen in different scenes, all set in the Parisian department store where the protagonists have a dangerous night.
The woody perfume, housed in a unique round bottle, was created by Jacques Polge and launched in 2003.