Mermaids (1990)
Charlotte Flax (Winona Ryder) uses an Estée Lauder Signature lipstick from her mother’s make-up stash. On Mrs. Flax’s dressing table you can see a blue bottle of Bourjois Evening in Paris talcum powder.
Jack Falahee’s Dressing Room (2014)
Jack Falahee, one of the protagonists of the legal drama tv show How to Get Away with Murder, posted this picture on his Instagram account. There are some notes from the costume department, plus a bottle of Kiehl’s Original Musk. This happens to be one of my favourite scents: it’s an awesome musky scent with neroli, rose, ylang-ylang and orange blossom notes. It’s definitely a sexy perfume, so I can totally see the American actor wearing it on the set.
How to Get Away with Murder S01E04 (Let’s Get to Scooping)
There are a Tocca perfume and Arbonne Perfecting liquid foundation on Annalise Keating’s dressing table.
American Horror Story S04E05 (Pink Cupcakes)

Several Bésame Cosmetics products on Elsa Mars’s dressing table. First of all, we can see a cake mascara, that can be used as eyeliner, too.

Second, a Signature powder compact.

Third, a lipstick, which can be seen in the first screencap as well. The shade used on Elsa was Cherry Red, a deep rich cherry from 1935.
Io sono l’amore (2009)
Penhaligon’s Artemisia talcum powder in Emma Recchi’s bathroom.
À bout de souffle (1960)
L. B. Williams Skol suntan lotion on Patricia’s bathroom shelf.
Frances Bean Cobain’s Room (2014)
Today Frances Bean Cobain posted this picture on her Twitter account. I obviously couldn’t help but notice the black bottle on the right, near the curtains. It’s the trademark black bottle of Robert Piguet products. This one is not a perfume, though, but a body lotion.
Does she wear Fracas, just like her mother? Uhm, I don’t think so, but it’s hard to tell from the picture. It looks like the trim around the front label is yellow. My guess it that she wears the Bandit body lotion. Sure, it could also be Visa, Gardénia or even Baghari, but I can totally see her wearing the body lotion of the chypré/leathery/animalic scent created by Germaine Cellier and launched in 1944.
A Tale From the Past: Balenciaga Ho Hang
I’m a hopeless nostalgic and, as such, tend to cling to memories, olfactory ones included. Thank God I’m not the only one! Some weeks ago I had the chance to speak about this with Giorgia, who explained how her mother couldn’t replace her favourite perfume – Balenciaga Ho Hang. The starting point was the plague of reformulations, which are sometimes so drastic that they turn our beloved scents from the past into something tragically different. Unfortunately, Ho Hang‘s fate has been crueller: if you fear the adjective “reformulated”, “discontinued” can give you nightmares and I guess that’s what’s happened to Giorgia’s mother. The search for an original bottle of her favourite perfume (metal cap, honeycomb box) is becoming harder and harder, because when a perfume is no more on the market, it’s destined to die.
I have never tried Ho Hang, even if I remember someone I knew (a relative, maybe) used it. I’d love to, though. I’m not a fan of 1970s perfumes, but I’ve hardly read a negative opinion about this one. Created in 1971 by Jacques Jantzen (who created Cialenga, another historical Balenciaga perfume, in 1973), it’s an elegant and sophisticated balsamic fragrance with a citrus opening and a woody/spicy heart. Its olfactory pyramid includes orange, lavender, basil, bergamot and lemon as top notes; carnation, patchouli, cedar, Brazilian rosewood and geranium as middle notes; labdanum, tonka bean, amber, musk, benzoin and vanilla as base notes. Ho Hang, which means “very fragrant” in Cantonese, has a powdery quality, given by the carnation, which is balanced by what Chantal-Hélène Wagner refers to as “a very true animalic accord”: “It smells exactly like the fur of an animal for a few moments,” she adds. No one can resist such a powerful description!





















