Lucía (Julieta Serrano) is a woman with a troubled past: abandoned by her husband Iván with a child (Carlos, now grown-up and interpreted by Antonio Banderas), she’s spent a long time in a mental institution. Now she’s living with her parents, who try to support her and her extravagant looks.
In this scene, she’s applying her eyeliner. On her dresser there are many beauty products, among which the unmistakable golden spray can of L’Oreal Elnett Satin hairspray.
But there’s also another interesting product – a white jar with pink lid, which screams “Christian Dior skincare”.
It’s impossible to say exactly what product this was, but was for sure part of the Hydra-Dior collection.
It’s not a coincidence that later in the film we see several products from the same line on Pepa’s vanity. Pepa (Carmen Maura) is the former mistress of Iván. She’s another woman “on the verge of a nervous breakdown”, just like Lucía: they’re in love with the same man (who has dumped both of them for another lover) and happen to use the same skincare.
Matt exposes Trina’s affairs by displaying pictures of them on her vanity. It’s a cruel and dramatic scene, but it gives us the chance to see some of the beauty products she uses.
The bottles of perfume are by Maitre Perfumeur et Gantier (the one at the centre of the vanity) and Annick Goutal (on the mirrored tray on the right).
There’s also a Chanel toning lotion. Something similar can be seen in a 1970s ad: at the time the product was called Lotion Tonique Refraichissante.
In the picture above there’s another Chanel product – the make-up remover Démaquillant Douceur, in the squared bottle used in the 1990s.
In the bathroom we can also see a bottle of Dickinson’s witch hazel.
After a night of partying and reminiscing, Cecile (Jean Seberg) finally returns home, removes the 
To do so, she uses a traditional product like Pond’s cold cream.
In front of her there are several beauty products, but the most intriguing object is the octagonal box on the right side of the vanity. Even if the label is not visible, this is definitely the box of Lucien Lelong Gardenia, a soliflore perfume launched in 1936. Too bad the wonderful fluted bottle is not out of the box.
While wandering through the corridors of her hotel, Maggie Cheung – in Irma Vep black latex attire – enters a room where a semi-naked woman (interpreted by Arsinée Khanjian, credited as l’américaine) is talking on the phone. Maggie goes into her bathroom and steals a necklace. On the marble counter there are some beauty products, too. For example, a bottle of Galderma Cetaphil cleanser in the 
There’s also a box of Clarins Eau Dynamisante, a wonderfully fresh fragrance created by Jacques Courtin-Clarins and launched in 1987. This is the original packaging.
There are two Dr. Hauschka pump bottles (one of which is the 
There are two bottles of micellar water in Eve’s bedroom – one is the 
There’s a tube of Dr. Hauschka body cream in Francesca’s bathroom. The tube with the red band contains creams in different scents – 
There’s also a spray can of La Roche-Posay thermal water.
There’s a tube of Chapstick Classic Original lip balm on Anders Hill’s bedside table.
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