Category Archives: cosmetics in movies

Anatomie de l’enfer (2004)

The Man (Rocco Siffredi) picks up a lipstick from the bathroom of the Woman – a scene that gives us a chance to see what’s on the shelf above the washbasin.

There’s a gorgeous golden refillable canister by Guerlain and a black glossy compact by Chanel. In both cases it’s impossible to know what fragrance/product they contained.

The red lipstick he takes from the shelf is from the fictional brand The Tools.

There’s also a bottle of Christian Dior nail polish, shown above in an ad from the spring 2000 collection starring Kristina Semenovskaya.

I am pretty sure the other nail polish bottle (the one with two golden bands on the stopper) is by Maybelline, but I couldn’t find any online evidence of it.

Bagnomaria (1999)

Mara (Manuela Arcuri) is holding a blue compact which, to my 1990s mind, screams Christian Dior.

Effets d’Ombre is a compact that includes five powder eye-shadows.

We can see it in a 1992 advert, when Dior was in the talented hands of the Italian designer Gianfranco Ferré, who replaced Marc Bohan and worked for the maison from 1989 to 1996.

Thanks to Alessandra for submitting this post.

The Last Showgirl (2024)

Despite the constant off-focus quality that characterises most of the scenes set in the dressing room of the Razzle Dazzle revue show, some clearer shots give us the chance to see what products sit on the vanities of the showgirls. Not surprisingly, some of them are vintage items, a detail that reinforces the strong divide between past and present analysed in the film.

The white tin bottle is Nestlé Egyptian Henna neutral natural conditioner.

The round tin box is a classic – Max Factor theatrical face powder.

Later in the film we can see a can of Kenra volume hairspray (not a vintage product).

Coty Airspun loose face powder in the round cardboard box is another classic.

Green Card (1990)

Georges is checking the content of Brontë’s bathroom cabinet.

The object at the centre is a small spray can of Gillette Foamy shaving cream.

The two white bottles are very intriguing. The citrus front label clearly reads “Bourjois Eau de Cologne”, so this id should be a no-brainer. Too bad that this eau de cologne doesn’t exist! If you look at the screencap closely, you will see that the prop masters took generic white bottles and glued Art Deco-style labels on them. What is surprising is that they used the name of a real brand. I wonder if Bourjois was in the know of this “poetic licence”…

The imagination of the prop masters was put to the test by a very important element of the plot – the infamous Monticello restorative cream for the face, Brontë’s moisturiser of choice.

The only evidence of this brand took me back to American history, where Monticello is Thomas Jefferson’s plantation near Charlottesville, Virginia. The Thomas Jefferson Foundation, that has maintained the plantation and kept it to the public, sells skincare products on their online shop, so *there could* be a connection with the face cream seen in the film, although I have found no evidence that the aforementioned cream was actually produced and sold by the Thomas Jefferson Foundation.

More mystery lies on the glass shelf above. There’s a (soap) box on the right that reads “Natural Seaweed” and the brand is Revive Lab. Again, I found no evidence of such a brand.

What cannot be mistaken is the floral box at the centre of the shelf: it’s definitely a Clinique product, although it’s impossible to identify because the box is never shown in its entirety.

Thanks to Taylor Rowley for submitting this post.