

There’s a bottle of Cutex nail polish remover on Marcia Clark’s bedside table.


There’s a bottle of Cutex nail polish remover on Marcia Clark’s bedside table.
There are many Guerlain perfumes on the vanity table of one of Émile’s victims. From left to right:
The classic flacon abeilles contains Eau de Cologne Impériale, a cologne created by Pierre François Pascal Guerlain for Empress Eugenie in 1853.
No way to know what the flacon goutte contains here. This bottle, first launched in the 1920s, has been used for many eaux de toilette.
There’s another flacon abeilles – sans golden bees – containing an eau. The front label is not shown, so it’s impossible to say what eau this is.
The sage green disk on a flacon montre indicates its content: Chypre 53 eau de cologne. The perfume was first released in 1909, but in 1948 it was re-issued as a cologne.
The last bottle is the perfumed deodorant of Chant d’Arômes, a 1962 creation by Jean-Paul Guerlain.
Marie (Myriem Roussel) stops at a Lancôme counter to check some cosmetics. She wants to try some lipsticks: the ones on the right are standard testers, while the ones on the left look more interesting.

I personally have no memory of Lancôme stylo lipsticks, but I’ve found some evidence of their existence. The first (bad quality) picture shows the exact lipstick seen in the film, with the brown/marroon tube. It was called Stylo à Levres and was launched in the late 1970s.
There are two Dr. Hauschka products in Charlotte and John’s hotel bedroom.
The first can be seen on a table while John is packing his camera and lenses for work. It’s a tube, so it could contain many different creams. I like thinking it’s the rose day cream, which I’ve used for many years and still love.
The second appears on Charlotte’s bedside table: it’s a smaller tube, and I’m pretty sure it contains the daily hydrating eye cream.
On the same spot there’s another product which looks familiar: it looks like the shea butter tin box by L’Occitane. This may be a long shot, though.


Eileen (Alicia Sixtos) applies lipgloss and checks her make-up in a Becca compact.


Just a few moments before starting the performance of Volk, the dancers of the Markos Tanz-Akademie get in a line. On one shelf by the dressing room mirrors there’s an unusual product: Roxy hand-cleaning paste by the German brand Pelikan. Famous for its fountain pens and writing instruments, Pelikan invented this product [1] for cleaning hands from ink, oil and dirt. A product definitely needed in the creepiest dance academy of West Berlin.
[1] It was already on the market in 1938 (as shown here).



Loretta’s hairdresser uses Silkience products to dye her graying hair black.
In the shop there’s also a jar of Barbicide disinfectant.


Backstage at Queen Mary’s strip club, a can of AquaNet extra super hold hairspray makes its appearance.