

A bottle of Old Spice after-shave lotion is clearly recognizable among other indistinct bottles.
Thanks to Barbara for submitting this post.


A bottle of Old Spice after-shave lotion is clearly recognizable among other indistinct bottles.
Thanks to Barbara for submitting this post.

Some interesting toiletries from the 1970s can be seen in the scene where Tully helps Lane shave her legs.

Second from the left, a bottle of Revlon Jean Naté after-bath splash.

Next, there’s a bottle of Body on Tap beer-enriched (?) shampoo.

Last, Tickle unscented roll-on deodorant.
Thanks to Alessandra for the screencap and ids.

Kelsey is getting ready to take part into a house-hunting reality show.

On the dressing table behind her there’s a pump bottle of E.L.F. hydrating face primer.

We don’t get to see Diana (Miriam Shor), the head of Marketing at Empirical, much this season. After getting married to Enzo, she’s spending an endless honeymoon in Italy. That’s how Lauren starts working at Empirical: she’s supposed to assist Diana and report to her, but she ends up replacing her.
When Lauren opens a drawer from Diana’s desk, we see some symbols of her power, which obviously include one of her statement necklaces.



There are a L’Oreal lipstick (possibly in a red shade), LA Girl Glossy plumping lip gloss and a red nail polish by OPI.



While Facetiming with her mother, Lauren (Molly Bernard) is putting on a MAC lipstick in a deep red shade.



Luciana (Paola Cortellesi) is getting ready for work. The moisturizer she’s applying is a quintessentially Italian beauty product, Cera di Cupra, first created in 1957.


One of the most visually striking scenes of the film sees the two protagonists – Zola (Taylour Paige) and Stefani (Riley Keough) – getting ready to dance. The uncomfortable and pervasive way with which Stefani enters Zola’s life is all here – the images of the girls reflected on mirrors overlap, a symbol of how one (Stefani) presents herself as a double of the other (Zola). This will become clearer as the film unfolds: Stefani systematically appropriates black culture (the language, the aesthetics, even the grooming tools) for her own (professional) advantage.

Even the mascara they use is the same – Maybelline Great Lash in its waterproof version.

Juliette (Léa Bonneau) is sitting at her dressing table and is putting lipstick on.



The lipstick she’s using is Chanel Rouge Coco Shine.

When her father Hubert (Hervé Pierre) joins her to start a conversation, we can see there are some objects on the table.

First, a bottle of Guerlain Shalimar, the 1925 classic by Jacques Guerlain.


There are also a MAC jar (it could be Paint Pot cream eyeshadow or Fluidline gel eyeliner) and a Dior lip colour, possibly Dior Addict Lip Tattoo or Lip Maximizer.
Thank you to Alessandra for the screencaps and the Shalimar id.


Eriko receives some gifts from Lavera: among them, some tubes of body wash with organic lime and verbena.


In Christiane’s bathroom there’s a bottle of Doris Wasch Eau de Cologne, a fragrance that could also be used as toner (for women) or after-shave lotion (for men).