Mildred (Sarah Paulson) is about to meet the private detective Charles Wainwright in her room again. On her dressing table we see an old acquaintance and a new bottle.
The tall ribbed bottle – previously seen in the pilot – is Moment Suprême eau de cologne by Jean Patou.
The other bottle is the Lanvin boule, a special one: it’s made of colourless glass (and not of the more ordinary black glass) and its gold stopper has got a raspberry shape (and not the more ordinary ribbed ball shape) [1]. This bottle was used to house Mon péché (My Sin), originally launched in 1924, and Arpège, launched in 1927. I like to think My Sin is sitting on Mildred’s vanity: she’s a character full of contrasts, who is definitely hiding many secrets and sins.
[1] Later, the ribbed stoppers would replace the raspberry ones. The change didn’t happen before the 1960s, as shown by this 1964 advert for My Sin
Thanks to lepetitcivet for the Lanvin id.
Linnet Ridgeway’s bedroom/boudoir is lavishly furnished in white and decorated with colorful glass, mirrors and marble. Several French perfumes are sitting on her vanity, a natural extension of her flawless style.
The first bottle that has caught my attention is the Lanvin boule on the left. It’s unclear what perfume it contained, because the French maison used the same bottle for two different perfumes, Arpege (created by Andre Fraysse in 1927) and My Sin (called Mon Péché in French, created by the mysterious Madame Zed in 1924). The film is set in the 1930s, so it’s plausible for both to sit on that vanity.
The same thing can be said for the black bottle on the right, containing Lanvin talcum powder. It could be Arpege or My Sin.
The Guerlain chauve souris bottle unmistakably contained Shalimar, created by Jacques Guerlain in 1925.
Guerlain Liu 
World Wide Aura 