

A bottle of Weil Antilope can be seen on the glass shelf in Jackie’s bathroom. This floral aldehyde fragrance was launched in 1946.


A bottle of Weil Antilope can be seen on the glass shelf in Jackie’s bathroom. This floral aldehyde fragrance was launched in 1946.

Alfonso (Pierfrancesco Favino) is shaving and his son Valerio (Mattia Garaci) looks at him in awe.

The tube of toothpaste on a glass by the mirror is Marvis Classic Strong Mint.


The bottle behind Valerio is Avon bubble bath.


The toothpaste in Harry’s bathroom is Marvis Anise Mint.

Reading the front label of the fragrance bottle is not possible, but this is from the line I profumi di Firenze by the Italian brand Spezierie Palazzo Vecchio.

Last, the yellow can belongs to the Acqua di Parma Barbiere line: it’s the shaving gel.
Thanks to Cédric for the fragrance id.


Lucy (Dakota Johnson) is getting ready to go to work. The MAC lip pencil she uses is possibly Spice.


The MAC brush she’s using to apply blush is possibly the 150S.


There’s a Byredo fragrance on Lucy’s vanity. Impossible to give details because the front label is unreadable.


The Boy (Dino Mele) forces the Actor (Umberto Orsini) to drink some cologne in his bathroom. He then drops the bottle in the washbasin: we can see it’s Monsieur de Givenchy cologne.

The original fragrance, created by Francis Fabron, was launched in 1959.
The one seen in the film – the eau de cologne – doesn’t exist: Givenchy produced the eau de toilette and the after-shave lotion only. For this reason, I guess the prop master of the film used the original bottle and made a realistic (although fictitious) label for it.
Thanks to my friend Rocco for submitting this post.




The lipstick in a dusty pink shade that Elena (Roxane Mesquida) wears is by Chanel.

The Man (Rocco Siffredi) picks up a lipstick from the bathroom of the Woman – a scene that gives us a chance to see what’s on the shelf above the washbasin.



There’s a gorgeous golden refillable canister by Guerlain and a black glossy compact by Chanel. In both cases it’s impossible to know what fragrance/product they contained.
The red lipstick he takes from the shelf is from the fictional brand The Tools.


There’s also a bottle of Christian Dior nail polish, shown above in an ad from the spring 2000 collection starring Kristina Semenovskaya.
I am pretty sure the other nail polish bottle (the one with two golden bands on the stopper) is by Maybelline, but I couldn’t find any online evidence of it.


There’s a bottle of Issey Miyake L’Eau d’Issey eau de toilette in Marie’s bathroom.
This white floral aquatic fragrance, created by Jacques Cavallier Belletrud and launched in 1992, soon became a symbol of that decade, where minimalism contrasted the excess of the 1980s.


It’s so exciting to get a look at the fragrances worn by the protagonist of this documentary – the English model, author and LGBTQIA+ rights activist April Ashley.

One of them is First by Van Cleef & Arpels, a floral aldehyde fragrance created by Jean-Claude Ellena and launched in 1976.


The others are classic fragrances by Guerlain, housed in the contemporary spray version of the historical flacon bouchon coeur. Ashley wore L’Heure Bleue and Mitsouko, both created by Jacques Guerlain and launched in the 1910s (1912 and 1919 respectively).