


Luciana (Paola Cortellesi) is getting ready for work. The moisturizer she’s applying is a quintessentially Italian beauty product, Cera di Cupra, first created in 1957.



Luciana (Paola Cortellesi) is getting ready for work. The moisturizer she’s applying is a quintessentially Italian beauty product, Cera di Cupra, first created in 1957.


One of the most visually striking scenes of the film sees the two protagonists – Zola (Taylour Paige) and Stefani (Riley Keough) – getting ready to dance. The uncomfortable and pervasive way with which Stefani enters Zola’s life is all here – the images of the girls reflected on mirrors overlap, a symbol of how one (Stefani) presents herself as a double of the other (Zola). This will become clearer as the film unfolds: Stefani systematically appropriates black culture (the language, the aesthetics, even the grooming tools) for her own (professional) advantage.

Even the mascara they use is the same – Maybelline Great Lash in its waterproof version.

Juliette (Léa Bonneau) is sitting at her dressing table and is putting lipstick on.



The lipstick she’s using is Chanel Rouge Coco Shine.

When her father Hubert (Hervé Pierre) joins her to start a conversation, we can see there are some objects on the table.

First, a bottle of Guerlain Shalimar, the 1925 classic by Jacques Guerlain.


There are also a MAC jar (it could be Paint Pot cream eyeshadow or Fluidline gel eyeliner) and a Dior lip colour, possibly Dior Addict Lip Tattoo or Lip Maximizer.
Thank you to Alessandra for the screencaps and the Shalimar id.


Eriko receives some gifts from Lavera: among them, some tubes of body wash with organic lime and verbena.


In Christiane’s bathroom there’s a bottle of Doris Wasch Eau de Cologne, a fragrance that could also be used as toner (for women) or after-shave lotion (for men).

When Michael arrives in Tel Aviv, he moves into Tomer’s apartment, which he has rented for five days. One of the first things he does is putting his own toiletries into a mirrored cabinet he finds in the bathroom.

Among Tomer’s toiletries, which Michael moves to one shelf of the cabinet, there’s an almost empty bottle of Lacoste Essential Sport, launched in 2009.




On Michael’s side we can see a spray can of Coppertone Sport sunscreen, a travel-size bottle of Cetaphil moisturizing lotion, a tube of Kiehl’s Facial Fuel sunscreen and a mini-bottle of Le Labo shower gel.
Thanks to Rachael for the Le Labo id.

When Adrian (Justin Theroux) “saves” his wife Lucy (Ilana Glazer) from an allucinating bath, we can see a Diptyque bottle on the tiled counter.


After much pondering (the back of the bottle is not clearly visible), I’ve come to the conclusion that it’s the eau de parfum version of Philosykos, created by Olivia Giacobetti and launched in 2012. The fact that the illustration includes a fountain tank (reminiscent of the bath tub where the protagonist hallucinates) reinforces my idea.


On the tiled shelf over the tub there’s another Diptyque product – a Pomander candle.
Thanks to Alessandra for the screencaps and ids.


Among the toiletries in Lucy’s bathroom, I can see a pump bottle of Drunk Elephant C-Firma day serum.

There’s also a tube of EOS shave cream.


A huge bottle of Chanel Chance can be seen as a decor at the Poise fashion magazine party that Jenna (Jennifer Garner) saves with a Michael Jackson’s Thriller dance line.
The same perfume has been spotted on Jenna’s dressing table.
Thanks to Alessandra for the screencap and id.