Category Archives: cosmetics in movies

Eleanor the Great (2025)

Eleanor (June Squibb) is 94 years old and is back in New York, after living many years in Florida. Adjusting to city life is not easy, but going out and keeping active will help her make new friends. I love that she still takes care of herself by getting manicures and pedicures, and by applying make-up whenever she goes out.

In the scene above, set in her grandson’s bedroom (temporarily her own bedroom), we can see a tube of L’Oreal Age Perfect BB Cover hydrating serum.

Later in the film, on the same desk seen previously, a drop bottle of Ilia super serum skin tint makes its appearance.

Bagnomaria (1999)

The black tube with gold accents is Lancôme Stylocils mascara.

There’s another similar tube, which I think is a mascara or liquid eyeliner by L’Oreal, from their make-up line Corolle.

There are two perfume miniatures, too. One is Van Cleef & Arpels First, a floral aldehyde creation by Jean-Claude Ellena launched in 1976.

The second miniature is Vendetta Pour Homme by Valentino, a creation by Edouard Flechier launched in 1991.

Thanks to Alessandra for submitting this post.

A Normal Woman (2025)

Erika (Gisella Anastasia) is a make-up artist who’s in charge of taking care of Liliana (Widyawati) before her much-anticipated birthday party. It’s unclear when the events are set, but it’s interesting to notice how her professional kit includes products from some years ago.

The first item I noticed is Make Up For Ever Ultra HD foundation. Erika owns it in different shades.

There’s also a Bobbi Brown Luxe lip color.

This is a limited edition of Make Up For Ever Rouge Artist Intense lipstick. The Moulin Rouge collection was launched in fall 2010.

Another lip product of the same brand is Ultra HD lip booster.

Erika clearly loves working with Make Up For Ever products: her kit includes the pressed powder and the Duo Mat matte powder foundation.

La baie des anges (1963)

Jackie (Jeanne Moreau) has finally reached Monte Carlo, where she’s ready to take the local casino by storm. We’ve seen that a massive bottle of Weil Antilope sits on her bathroom shelf, but what’s on her vanity?

On the right side of the table there’s a tin can of Max Factor Primitif talc. This was an ancillary product of a chypre floral fragrance launched in 1956.  

There are several make-up items, too. Their packaging is quite basic, but among them I couldn’t miss another product by Max Factor – the Pan-Stik foundation.

Anatomie de l’enfer (2004)

The Man (Rocco Siffredi) picks up a lipstick from the bathroom of the Woman – a scene that gives us a chance to see what’s on the shelf above the washbasin.

There’s a gorgeous golden refillable canister by Guerlain and a black glossy compact by Chanel. In both cases it’s impossible to know what fragrance/product they contained.

The red lipstick he takes from the shelf is from the fictional brand The Tools.

There’s also a bottle of Christian Dior nail polish, shown above in an ad from the spring 2000 collection starring Kristina Semenovskaya.

I am pretty sure the other nail polish bottle (the one with two golden bands on the stopper) is by Maybelline, but I couldn’t find any online evidence of it.

Bagnomaria (1999)

Mara (Manuela Arcuri) is holding a blue compact which, to my 1990s mind, screams Christian Dior.

Effets d’Ombre is a compact that includes five powder eye-shadows.

We can see it in a 1992 advert, when Dior was in the talented hands of the Italian designer Gianfranco Ferré, who replaced Marc Bohan and worked for the maison from 1989 to 1996.

Thanks to Alessandra for submitting this post.