
There are several bottles of nail polishes in Ruth’s bathroom.



Among them, Sally Hansen nail polish in a dark shade (possibly black), Revlon nail polish (old packaging, again in a dark shade) and OPI gold nail polish.

There are several bottles of nail polishes in Ruth’s bathroom.



Among them, Sally Hansen nail polish in a dark shade (possibly black), Revlon nail polish (old packaging, again in a dark shade) and OPI gold nail polish.


Adele paints Carrie’s toenails pink. She uses an OPI nail polish.

Mina (Clotilde Courau) is Anne’s sister. She’s a nail artist, too: the scene of this conversation between them takes place in her salon.


The nail polishes she uses are by two American brands – Color Club (old packaging, as we can see from the old logo printed on the bottles) and OPI.


The shade Mina has selected for Anne is a pale pink by OPI.

Jodi (Ava Michelle) is sitting at a dressing table after performing as Kim McAfee in the musical Bye Bye Birdie.

There are several beauty products on the dressing table.

The tall brown bottle on the left is Hask Argan Oil repairing shampoo.


Right in front of Jodi there are two Noxzema products. The tube is the anti-blemish daily scrub, while the tall jar is the deep cleansing cream.

The pink tube with green cap is none other than Maybelline Great Lash mascara.

The black tube is Wet n Wild Mega Last matte lip colour.

When Jack (Griffin Gluck) joins Jodi backstage, we can see a couple more products.

There’s a can of TRESemmé Tres mousse.

Last but not least, two bottles of OPI nail polishes.


There’s Kleancolor Eye’m single glitter cream shadow on Maddie’s dressing table.

When the camera quickly moves over the dressing table, an array of nail polishes can be seen.



Among them, a nail polish by Sally Hansen (in the clear plastic container) and two nail polishes by OPI – silver glitter and red.
Thanks to Alessandra for submitting this post.

We don’t get to see Diana (Miriam Shor), the head of Marketing at Empirical, much this season. After getting married to Enzo, she’s spending an endless honeymoon in Italy. That’s how Lauren starts working at Empirical: she’s supposed to assist Diana and report to her, but she ends up replacing her.
When Lauren opens a drawer from Diana’s desk, we see some symbols of her power, which obviously include one of her statement necklaces.



There are a L’Oreal lipstick (possibly in a red shade), LA Girl Glossy plumping lip gloss and a red nail polish by OPI.

In this episode we’re brought back to 1983, when Elektra (Dominique Jackson) is trying hard to achieve her goals and to help her three daughters (Blanca, Candy and Lulu). They share a dingy flat, but this doesn’t let Elektra down: it probably gives her a reason to fight and improve her condition.
The deep connection between Elektra and perfumes is nothing new: she name-dropped Caron Poivre in Season 1 and I spotted Givenchy Ysatis on her dressing table in Season 2. I’m glad we get to know her better through another perfume.

In the early 1980s she wears White Linen by Estee Lauder, a floral aldehydic fragrance created by Sophia Grojsman and launched in 1978.

In 1983 this was the advert of the perfume: model Karen Graham, portrayed by Victor Skrebneski, was wearing a chic white outfit with blue details and looked relaxed in an elegant mansion. The imagery conjured here is so different from the world of Elektra, but it represents a goal to reach – money, luxury, comfort.

Behind White Linen there’s Hask Biotin hairspray, which is a historically inaccurate choice because this brand didn’t exist in the early 1980s.

On her dressing table there’s also an orange OPI nail polish.

There’s an OPI nail polish on Fatima’s bedside table.


Lily is at a spa with her mother and she’s getting a pedicure. The pedicurist (which she imagines being her stepfather) uses an OPI nail polish in a pale pink shade.

Ashley Kane starts painting her nails; later, she pours some polish on her hand and rubs it in. The polish is a sheer pink shade by OPI.