Several scenes set in Paul and Nelly’s bedroom reveal that the woman is a fragrance lover. On a dresser by the bathroom door we can see two Guerlain bottles.
One is the flacon chauve souris of Shalimar, a fragrance created by Jacques Guerlain and launched in 1925.
The other is a flacon bouchon coeur, possibly containing Mitsouko, L’Heure Bleue or Fol Arôme. The same bottle can be seen in the couple’s bathroom.
Other two fragrance bottles sit on Nelly’s vanity.
The bottle with white stopper on the left side of the vanity is Clarins Eau Dynamisante, an aromatic citrus fragrance created by Jacques Courtin-Clarins and launched in 1987.
Next to it there’s a bottle of Rochas Eau de Rochas, a citrus aromatic eau de toilette created by Nicolas Mamounas and launched in 1970.
Nelly’s passion for fragrances can be seen in the decor of the room, too: a poster of Le Galion Sortilège is displayed on the wall behind the vanity. This 1954 advert was created by the illustrator Claude Maurel.
While wandering through the corridors of her hotel, Maggie Cheung – in Irma Vep black latex attire – enters a room where a semi-naked woman (interpreted by Arsinée Khanjian, credited as l’américaine) is talking on the phone. Maggie goes into her bathroom and steals a necklace. On the marble counter there are some beauty products, too. For example, a bottle of Galderma Cetaphil cleanser in the 
There’s also a box of Clarins Eau Dynamisante, a wonderfully fresh fragrance created by Jacques Courtin-Clarins and launched in 1987. This is the original packaging.
While watching the film, seeing a bottle of Clarins 
This beautiful portrait by Nan Goldin was taken in 1999 in New York: Joey – a recurring subject in the photos by the American artist – was sitting at Goldin’s dressing table, her image reflected in a large round mirror.
World Wide Aura 