There’s a Guerlain flacon montre in Marilyn Monroe’s bedroom.
This is a very unusual choice because there’s no evidence that Marily wore Guerlain colognes. The reason behind this prop is easy to explain: Ryan Murphy is clearly a fan of this bottle and of the French brand; both have often been shown or quoted in his shows.
It’s not a historically accurate choice, though: the gold screw-cap stopper was first introduced in 1972, 10 years after the death of the American actress. In the 1960s flacons montre were available with the ground glass stopper.
 Marilyn’s name will forever be connected to Chanel No. 5, but she was a fan of the now-discontinued Rose Geranium eau de toilette by Floris.
There are several skincare products in Doris’s bathroom cabinet.
The white bottle on the left is E.l.f. mineral-infused face primer.
Next, there’s a tube of Avène Cleanance Hydra soothing cream.
The jar with silver cap is La Mer The Eye Concentrate.
The white plastic bag contains Burt’s Bees facial cleansing towelettes.
From a different angle we can also see a pump bottle of Aveeno Positively Radiant daily moisturizer.
Sarah (Frances Conroy) wants Mickey (Macaulay Culkin) to sleep over and she tries to convince him by listing the perks of her house.
There’s heat (a pretty basic feature) and the scent of Rigaud candles, which is definitely a luxurious touch. Produced by the French perfume house founded in 1852, these candles conjure an atmosphere of decadent wealth, perfectly in tune with the personality of the writer.
Even if we don’t actually see any candle on screen, I imagine Sarah burning Reine de la Nuit, with top notes of gardenia and freesia, middle notes of jasmine, rose and coriander, and a base note of patchouli.