Bree Daniels (Jane Fonda) is a busy girl: she’s an aspiring actress and model who lives in New York and is always tight on money, so she works as a call girl, too. Her flat is tiny but perfectly shows her personality. Her bedside table and vanity are visible for some moments and this gives the audience the chance to see what’s sitting on them.
On her bedside table there’s a jar of Pond’s cold cream. The leaf logo is positioned at the centre of the front label, but I couldn’t find any picture of this exact jar.
On the vanity there’s a large perfume bottle. The bottle and the stopper are decorated with a houndstooth motif, so it’s a Christian Dior eau de toilette or eau de cologne. The front label is not visible, so it’s impossible to know the fragrance actually present on set [1]. It could be Miss Dior (created by Paul Vacher and Jean Carles in 1947), Diorissimo (the lily-of-the-valley classic by Edmond Roudnitska launched in 1956), Diorama (another Roudnitska creation from 1948) or even Diorling (a chypre creation by Paul Vacher launched in 1963). I think Bree would wear Diorling, the most modern among the aforementioned fragrances. What is your guess?
[1] In case you were wondering why Diorella isn’t among my guesses: it was launched in 1972, one year after the film was released. Diorella would be such a perfect match for Bree!
Beautiful Joan Collins looked gorgeous in this picture from the 1950s. Some intriguing charm is imparted by the several bottles sitting on her vanity, too.
From the left, there are two Rochas bottles, one of which has the glass stopper. I’d like to say this was Femme, but I’m not 100% sure: other three perfumes – 
The same can be said for the bottle with the plastic stopper: this one could be 
The small square bottle with black stopper is the 
Next, there’s a bottle of Christian Dior 
The fluted “skyscraper” bottle is quite unmistakable: it’s Je Reviens by Worth, a fragrance created by Maurice Blanchet and launched in 1932.
The 
World Wide Aura 