We’re back in Liz Schaffer’s bedroom. The woman’s monologue in front of the mirror openly speaks of the existential pain for being treated horribly by her husband and daughter, and for realising that the career opportunities she might have had in the past are now gone.

There’s an interesting mix of historically accurate and inaccurate fragrances on her vanity.

The bulb-like bottles on the left contain the same fragrance – Pierre Cardin Pour Monsieur by Pierre Cardin. This is a woody spicy fragrance launched in 1972. Is this what her husband Terry wears when he’s not wearing Yves Saint Laurent Rive Gauche? It would be interesting to know.

The white and yellow striped box brings back lots of memories! It contains Giorgio Beverly Hills, a floral fragrance by Francis Camail which was launched in 1981. This was the first fragrance I have ever received as a gift. It’s never been my cup of tea, but it still holds a special place in my heart.

The monologue is a sort of role play: Liz (Evan Rachel Wood) pretends to have just won an Oscar, and she’s giving a speech in front of a cheering audience. The statuette sitting on her table is one of the three Oscars won by her husband Terry, who interrupts her.

The blue and gold bottle in front of Liz is Versace Dylan Blue, a floral fruity fragrance created by Calice Becker and Natalie Gracia-Cetto, and launched in 2017.

Another contemporary fragrance is housed in the tall bottle behind the wine glass. It’s Chanel N°5 Eau Premiere, a floral aldehyde fragrance by Jacques Polge launched in 2008.