
This picture of Marlene Dietrich was taken on the set of Der blaue Engel, directed by Joseph Von Sternberg. The role of the provocative cabaret singer Lola-Lola would establish Dietrich as an international star: soon after the release of this film, she moved to Los Angeles, where she starred in six films directed by von Sternberg at Paramount [1].

Once in Hollywood, the reinvention of Dietrich’s look happened thanks to Max Factor, who created a very specific and dramatic look for her. When she filmed Der blaue Engel, the transformation was still to happen but Dietrich already used Max Factor products, as we can see from the round tin box sitting on her dressing table: it was Max Factor’s Supreme Face Powder.
[1] These films – Morocco (1930), Dishonored (1931), Shanghai Express (1932), Blonde Venus (1932), The Scarlet Empress (1934) and The Devil Is a Woman (1935) – created the image of the glamourous femme fatale that had so much importance in Dietrich’s career.
Thanks to Kailey for submitting this post.



One of the most interesting pieces displayed at the 

It’s a lipstick by House of Gourielli in the shade


