
Backstage at the Oscars 1963, Olivia de Havilland (Catherine Zeta-Jones) retouches Bette Davis’ make-up. The lipstick she’s applying is by Bésame Cosmetics.


The travel lip brush she uses is by Bésame Cosmetics, too.

Backstage at the Oscars 1963, Olivia de Havilland (Catherine Zeta-Jones) retouches Bette Davis’ make-up. The lipstick she’s applying is by Bésame Cosmetics.


The travel lip brush she uses is by Bésame Cosmetics, too.
The kit of Joan Crawford’s make-up artist include several boxes of Max Factor Pan Stik creamy foundation.
The pressed powder on the left could be the famous Creme Puff by Max Factor, but no details are visible. Next to it there’s a gold tube of Bésame Cosmetics mascara and a beautiful gold vintage compact. The red round pot on the right is another Bésame product – the cream rouge in Crimson.
More Bésame products here: I’ve spotted other two round pots of cream rouge and a round pot of brightening powder. No details are shown, so it could be the Violet, the Vanilla or the Vanilla Rose one. On the table we see the pressed compact powder again, along with two gold bullet lipsticks (the one laying on the table is by Bésame) and a Bésame cake mascara with mirror compact.
One of the most striking elements of Jane Hudson’s look is her make-up. Bette Davis (Susan Sarandon) invented it, taking inspiration from the concept of the “broken doll”, so important in the aesthetic of the 1962 Robert Aldrich film Feud is based on.
In the memoir This ‘N That, Bette Davis explained she imagined Jane as someone who would never wash her face, just put on another layer of make-up. The bright lips, caked white face make-up and the heart-shaped beauty mark all have a part in achieving the iconic result, not to mention the curly blonde wig, used by the other protagonist of the film (Joan Crawford) in an old movie.
The lipstick Bette applies is by Bésame Cosmetics, a bright orange-based red. My guess is that the shade could be Red Hot Red, described as “classic engine red,” a bold and brazen warm red.